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Silver Age of comics

Origin of term
Comics historian and film producer Michael Uslan traces the origin of the "Silver Age" end the letters column of Justice League of America # 42 (February 1966), which was released December 9, 1965. Letter-writer Scott Taylor, of Westport, Connecticut wrote: "If you always talking about the heroes of the 1930s [1940 Age] of gold, people 20 years from now call the decade of the sixties money! "According to Uslan, the natural hierarchy of the gold medals Olympic-silver-bronze as appealing." Immediately Glomma fans in this, the refined way more directly in a version of the Silver Age of the golden age. After a short time in our vernacular to replace expressions such as … "Second Heroic Age comic book "or" Times "modern" caricature. It was shortly before the dealers … indicating that it was a golden age of comics for sale or silver age comics for sale.
History
Background
Superman, as shown by a 1941 Fleischer Studios animated film was created during the time comic gold.
Covering the Second World War, when the comics provided cheap entertainment escape disposable and can be read and then discarded by the troops, the golden age of comics covering the end of 1930 to late 1940. A number of major super-hero were created during this period, including Superman, Batman, Wonder Woman and Captain America. The claims of the Atomic Age followed, between 1945 and 1956, but years comics have been blamed for rising crime statistics youth, but this increase has been demonstrated that, in direct proportion to population growth. When juveniles admitted to reading comics, was captured a common denominator was a notable critic Fredric Wertham, author of Seduction of the Innocent (1954), who tried to blame for juvenile delinquency Parents of children in the comics they read. The result is a declining industry of comics. To address public concerns in 1954, the Comics Code Authority was created to regulate and limit the violence in comics, marking the beginning of a new era.
DC Comics
The Silver Age began with the publication of DC Comics Showcase No. 4 (October 1956), which introduced the modern version of Flash. At that time, only three superheroesuperman, Batman, Wonder and Womanere yet published their own titles. According to DC Comics writer Jacobs, Superman was available in the "great quantity, but of poor quality." Batman was better, but his cartoons had been "mediocre" compared to their previous adventures of the air "of the 1940s, and Wonder Woman, having lost its original author and artist, was more" idiosyncratic " or "interesting." Jacobs describes the arrival of Showcase # 4 in the kiosks that "begging to buy," the cover features a film strip illustrating the undulating Flash run so fast that she had escaped from the base. Editor Julius Schwartz, writer Gardner Fox and artist Carmine Infantino was the source of revitalization flash.
Julius Schwartz, DC, a key figure for the old money.
With the success of Showcase # 4, several other 1940s heroes were reworked during Schwartz's mandate, including Green Lantern, the Atom, and Hawkman and the Justice League of America. DC artists including Murphy Anderson makers, Gil Kane and Joe Kubert. Only the names of the characters remains the same, their customs, places and identities were changed, and imaginative scientific explanations for their general superpowers has taken the place of magic as a modus operandi in their stories. Schwartz, a science fiction fan from the beginning, was the inspiration for the re-imagined Green Lanternhe Golden Age character, railway engineer, Alan Scott, had a ring powered by a magic lantern, but the Silver Age Alternatively, the test pilot Hal Jordan, a ring was powered by a battery and created by an alien force of the intergalactic police.
In the mid-1960s, DC has established that the characters appearing in comic books published before the Silver Age has lived in a parallel Earth called the Earth-Two company. The characters introduced in the silver age and lived on Earth-One. It established that both realities are separated by a vibratory field that could be taken, it must involve a group of superheroes from different worlds scenario above.
Although Flash is widely regarded as the first superhero of the Silver Age, the Martian Manhunter introduced in Detective Comics # 225 before Showcase # 4 almost a year and some historians consider the character of the first Silver Age super-hero. However, Craig Shutt comics historian and author of the column in the Buyer's Guide Comics "Ask Mr. Silver Age" is just not agree. Shutt noted that when the Martian Manhunter makes his debut, he was a detective who uses his foreign talent to solve crimes. Although it eventually became a founding member of the Justice League of America, which was originally only one detective "strange" Like other DC characters who were contemporaries "television detectives, the detectives of the supernatural detective India, [and animal] Detectives." Schutt feel the Martian Manhunter becomes a superhero in Detective Comics # 273 (November 1959) when he was a superhero secret identity and attributes others. Schutt said: "If Flash was not there, I doubt that the Martian Manhunter would have led the charge in his dressing station in a new era of super-detective heroes. "Another hero that preceded Showcase # 4 is the Captain Comet, which debuted in strange adventures # 9 (June 1951). Comic Book Resources columnist Steven Grant considered the first Silver Age super-hero.
Wonder
The Fantastic Four # 1 (November 1961) the cornerstone of Marvel Comics. cover art by Jack Kirby (Artist) and unconfirmed inker.
DC Comics has led to the revival of the superhero with his publications from 1955 to 1960. Marvel Comics and used the new interest in sophisticated superhero storytelling and characterization. Unlike previous eras, Silver Age characters were "flawed and self-doubt.
DC has added to the pace of its introduction in 1960 of the Justice League of America, a team of more of the popular superhero characters, Martin Goodman, trend-follower with the publication of his 1950 Atlas Comics line, grade 1 has completed its editor of Comics, Stan Lee, to create a series a team of superheroes. Lee recalled in 1974 that "Martin said he had noticed one of the titles published by National Comics seemed to sell better than others. It was a book called The [sic] League Justice in America and was formed by a team of superheroes. … "If the Justice League is selling," he said, "why not put a strip comic has a team of superheroes? "Marvel Comics Fantastic Four has been the result.
Under the direction of writer-editor Stan Lee and artist / Co-conspirators, Jack Kirby and Steve Ditko, Marvel began his rise and importance. Presentation of the dynamics of more sophisticated location and characterization in the Marvel Comics superhero began targeting young readers and college-age son in addition to market. Based on the success of the Four Fantastic, Lee and his artists have created eleven new series over the next two and half years, with Spider-Man and, after a slow start, the most popular new Hulk characters. Another important and enduring Marvel Heroes Silver Age and Iron Man, Thor, Daredevil, X-Men, Marvel and its own set of stars, the Avengers. Captain America a hero from the golden age, was relaunched in Avengers # 4 (March 1964).
Comics historian Peter Sanderson compares the DC 1960 in a major Hollywood studio. After have reinvented the superhero genre, the last part of the decade, CC believes that suffered a creative drought. The audience for comics was not just children, and Sanderson is the wonder of 1960 as the comic equivalent of the French New Wave, the development of new methods of telling stories that have attracted and retained the readers who were in their teens and more and thus influence the comic authors and artists of the future. Comics historian Craig Shutt, DC, and compares different styles of Marvel: by Schutt DC heroes were simple in their relations with each other, quickly unite to defeat an enemy. But Marvel heroes in a less confident and often conflict with one another before resolving their differences and unite against a common enemy. DC approach resolved the conflict between the heroes without violence; Marvel "is went to the old question, little-kid the hero would win in a battle.
Other publishers
Harvey Comics focused on children during the Silver Age with characters like Casper the Friendly Ghost, seen here in a cartoon in 1948.
One of the top comic book publishers in 1956, Harvey Comics comic strips left horror when the Comics Code has been adopted and requested a new target audience. Harvey went on to approach children 6-12 years of age, especially girls, with characters as Richie Rich, Casper and small spot. Many girls comics company "defies stereotypes and sent a message of acceptance of those who are different." Other publishers, such as Dell Comics and Gold Key Comics, has made similar changes. Though his characters have inspired several films and nostalgic merchandise ranges, Harvey comics of the period are not as popular in the collectors market that DC and Marvel titles.
With the popularity of the 1966 Batman TV series editors specialized in other forms began to add titles to their superhero lines. In addition, new editors pink, often using the creative talents of the age gold. Dare Harvey Comics published two new adventures, characters like the B-Man and Master-Magic. Dell Comics superheroes published versions of Frankenstein, Dracula and Werewolf. Gold Key Comics published the licensed versions of television shows like Captain Nice, Frankenstein Jr. and the impossible, and followed the adventures of Walt Supergoof Goofy Disney Pictures. Charlton Comics published a line of super-hero in the short term with new characters like Captain Atom, the Master of Judo, the question and Ray. American Comics Group has established his character a secret identity as Herbie the Fat Fury superhero, and introduced the characters and the mythical nemesis Magic Man.Even Archie Comics has acquired superpowers and the identities of the teenagers in superhero comic titles like Archie as Pureheart the powerful and Jughead as Captain Hero.
Archie Comics has also released its own standard, the non-super hero comic. Archie Line Adventure (Comics Mighty sequel) included Fly, Jaguar, and the shield, which was reorganized Golden Age heroes. The success of the Avengers and Justice League of America invited Archie to create your own title team, Mighty Crusaders, who saw the comet and flygirl join three other characters with their own titles.
Archie Series typical rate superhero joint field in the 1960s Batman television.
One of the new publishers have emerged briefly in 1960's Ray Comics, which published three issues of Fatman human flying saucer by Otto Binder and CC Beck, the author and the team responsible for many artists of the Golden Age Captain Marvel stories. Another five companies was issued MF number Series also known as Captain Marvel, who was a new character Carl Burgos, the golden age of man's creative flame, which had no relation of some allusions in the joke to the golden age Captain Marvel.
Most of these new series has started in 1966 or 1967 and lasted more than a year. Tower Comics, which published the likes of Dynamo, Noman and sub-agent, was more experienced, title agents Storm lighthouse began in 1965 and lasted 20 issues, ending in 1969.
According to John Strausbaugh The New York Times, the traditional comic book historians feel that although the golden age deserves a trial, the only notable aspect of Silver Age was the arrival of BD meters. One commentator suggested that the underground comic art are seen as legitimate, because they generally have been written and drawn by a single person; artists like Robert Crumb and Gilbert Shelton described as the first comic book and instinctive. Although most of the comics of the time were pure fantasy Underground comics adult, reflecting the movement of the drawbacks of the time, is printed by publishers and ad hoc distributed in stores in the head.
End
Artist Neal Adams, whose work with writer Denny O'Neil Green Lantern / Green Arrow marks a possibility that the end of the Silver Age.
Several events have been identified as marking the end of the Silver Age. One of these was the 1969 publication of the cartoon 12 percent, while others have focused on publishers who have been its driving forces: Marvel and DC. According to the will of Jacobs, the Silver Age ended in April 1970 when the man began, Julius Schwartz, issued Green Lantern Denny O'Neil and Neal Adams in response to reduced sales. John Strausbaugh also connects the end of the Silver Age Green Lantern. He noted that in 1960, the character embodies the power-on optimism of the time, saying: "Nobody in the world who suspects any time I can be powerful Green Lantern power ring with my incredible and invincible green beam! Wow, what a feeling it is! "However, in 1972, Green Lantern tired world;" Those days are gone lost forever the day, had any confidence … I was so young … so make sure you could not make a mistake! Young and arrogant, he was Green Lantern. Well, I've changed. I'm older now … perhaps wiser too … and much less happy. "Strausbaugh said that the Silver Age" came out to complain. "Comics student places at the Arnold T. Blumberg end of the Silver Age in June 1973, Spider-Man's girlfriend Gwen Stacy was killed in an arc of the story later dubbed "The Night Gwen Stacy Died", said the era of "innocence" has been completed by "the Tower" add-ear "the world of comics, The Terror, sickening snap of bones, which announced the death of Gwen Stacy.
Impact
Silver Age cartoons was followed by the Bronze Age. The line of demarcation is not clearly defined, but there are number of possibilities. Scott comics resources, lists several frequently cited touchstones, including personnel changes and the publication some specific issues. Among them are Conan # 1 (1970) and Green Lantern / Green Arrow # 76 (April 1970), "often cited as the first books of the age Bronze. "He also noted Jack Kirby Marvel move to DC in 1970 and Superman editor Mort Weisinger retired that year. Another candidate is the possible return of the horror comic and the arrival of socially relevant stories consciously encouraged. T. Arnold Blumberg said the transition has been a gradual process that lasted from late 1960 until 1973, ending with the death of Gwen Stacyn case "that name by many as the booster fan most memorable moment of collective movement." He wrote that there was a willingness of creators and publishers to discuss mature themes, but "have been filtered through the lens a bit simplistic" super-hero, putting an end to "The light, carefree Silver Age. "
Alan Moore, who began the movement of "new money" with a history of Superman in 1986
According to historian Peter Sanderson, the movement, "neo-silver" which began in 1986 with Superman: What happened to the man of tomorrow? by Alan Moore and Curt Swan is a reaction against the age of bronze with a return to the early Silver Age. See Sanderson, every generation rebels against the previous cartoon, and the movement was a response to Crisis on Infinite Earths, which was an attack on the Silver Age. Neo-silver cartoon comics creators, is recognized and assimilated the most sophisticated Silver Age.
Legacy
Age money marked a decline in the importance of comics in genres such as horror, romance, humor, animals, funny teen western or more popular than the adventures of superheroes in the 1940s to the mid-1950s, and these fans see the age of money Genres a decrease of the time.
An important feature of the period was the evolution of the composition of superhero characters. Toddlers and girls have been victims during the Silver Age by some publishers, notably, Harvey Comics has brought to this group, with titles like Little Dot. adult comics Subway oriented also began during the Silver Age. There are several proposed evaluation criteria for the Silver Age, including changes in the number of Green Lantern and death Small Spider-Man's girlfriend in The Amazing Spider-Man # 121 (June 1973).
Some critics and historians say one of the features of the Silver Age, is that science fiction and aliens replaced the magic and the gods. Others argue that magic was an important element of the old Gold and two Silver Age characters. And many writers Golden Age and other artists were fans of science fiction or professional writers of science fiction, incorporating elements into their comic SF. Science has been an explanation common origin of the heroes of the golden age.
The Silver Age coincided with the rise of pop art, popular art movement that uses cultural property such as advertising and packaging, as raw material for the fine, or an exhibition hall, art. Roy Lichtenstein, one of the best known painters of Pop Art, particularly selected individual panels of the comics and the painted images, modify some extent in the process, including painting the word balloons and thought and legends, as well as the color of the extended scale points imitating the color process and then used in newspaper comics. A cartoon exhibition was held at the Musée des Arts Decoratifs in the Louvre Palace in 1967, and the books are published as soon as the content of the discussions serious art of comics and the nature of the medium.
In January 1966, a live action TV show Batman began high ratings. As pop art, the show has had the tropes of comic reenvisioned in the context of a different environment. the narrative in each episode articulated the words of the legends of the comic, while the fight scenes had effects sound as "Biff", "Bam" and "Pow" visual effects on the screen in big letters on cardboard. Movement of comic books Batman in general and in particular, goods soared. Other adventurers hidden or superpowers appeared on the TV screen, so that "television U.S. in winter 1967 seemed to be a caricature, but another live action and animation little hero comics, while the color of life. "Current comic book publishers began to create superhero titles and new publishers. In late 1960, however, the madness was gone in 1969, best-selling comics in the United States has no group of super-heroes, but the book of adolescent humor Archie.
Artists
Creators Further information: List Silver Age Comics
Arlen Schumer, author of The Silver Age of Comic Book Art, honors Carmine Infantino Flash design as the incorporation of the time: "so sleek and aerodynamic fins Detroit was sporting on all its models. "Other notable artists of the period include Gene Colan, Steve Ditko, Gil Kane, Jack Kirby, Joe Kubert, and Curt Swan.
Two artists who changed the comic industry dramatically in the 1960s were Neal Adams, considered one of the largest cartoonists, and Jim Steranko. Adams advance was based on the design and rendering. Best known for the return of Batman to his dark roots after the success of kitsch TV series Batman, realistic representations of anatomy, faces and gestures changed comic style "in a way that is reflected in modern novels Strausbaugh graphs.
The cover of Nick Fury: Agent of SHIELD # 7 (December 1968) by Jim Steranko. His art is deeply indebted to Salvador Dal.
One of the few writers and artists of the time, Steranko uses a cinematic narrative style. Strausbaugh appointed as one of most powerful creative forces of Marvel in the late 1960s, his art has a great debt to Salvador Dal. Steranko began by inking pen and details of works of art Kirby Nick Fury, Agent of SHIELD in early Strange Tales # 151, but Strange Tales # 155 Stan Lee had put in charge of writing and drawing the adventures of fury. He exaggerated stories of James Bond style, introducing the vortex beam (which arises objects), the pump without speaking (who operates in silence), a miniature electronic absorber (which protects the electricity Fury), and the Q-ray machine (one molecular disintegrator) ll on its front page on 11 floors.
Top 20 Comics
In 2008, the collection of comics from the Silver Age was up. Possible reasons are that some of the Golden Age comics are becoming too expensive or that baby boomers remember fondly the comics of his youth. Amazing Fantasy # 15, the first appearance of Spider-Man, is considered the "Holy Grail" of Silver Age comics. The Official Overstreet Comic Book Price Guide # 38 (2008) lists the following 20 comic books as the most sought after by collectors:
Title
Question
Editor
Relevance
Amazing Fantasy
15
Wonder
First appearance of Spider-Man
Showcase
4
DC Comics
First appearance as the Flash Barry Allen
Four Fantastic
1
Wonder
First appearance of the Fantastic Four
Amazing Spider-Man
1
Wonder
Spider-Man gets his own series
Pontoon
1
Wonder
First Appearance Hulk
X-Men
1
Wonder
X-Men First appearance
Showcase
8
DC Comics
the second occurrence of the Silver Age Flash
Travel in mystery
83
Wonder
First Appearance Thor
Showcase
9
DC Comics
Lois Lane star in her own adventure
Flash
105
DC Comics
First comic strip Flash Flash Comics was canceled due to # 104
SUSPENSE ACCOUNT
39
Wonder
First appearance of Iron Man
Brave and the bold
28
DC Comics
First appearance of the Justice League of America
Adventure Comics
247
Comics DC Comics
Superboy meets the Legion of Super Heroes
Justice League American
1
DC Comics
First Edition
Showcase
22
DC Comics
First appearance of Silver Age Green Lantern
Fantastic Four
5
Wonder
First appearance of Dr. Doom
Tales to astonish
27
Wonder
First appearance of Hank Pym
Fantastic Four
2
Wonder
second appearance of the Fantastic Four, the first appearance of the Skrulls
Green Lantern
1
DC Comics
First Edition
Amazing Spider-Man
2
Wonder
First appearance of the Vulture
Action Comics
252
DC Comics
First appearance of Kara "Supergirl" Zor-El
See also
Golden Age of Comic
Bronze Age of Comic Books
Modern Age of Comic Books
Notes
^ Apocryphal Legend has it that in 1961, timely and Atlas publisher Martin Goodman was playing golf with either Jack Liebowitz Irwin Donenfeld or rival DC Comics (then called National Periodical Publications), which boasted of successful CD with the Justice League, which began in Brave and the Bold # 28 (February 1960) before moving to its own title.
film producer and comics historian Michael Uslan contradicted later in detail, without changing the framework history:
Irwin said he had never played golf with Goodman if the story is false. I heard this story more than two times as he sat in the dining room, 909 Third Avenue and 75 Rockefeller Plaza DC characteristics Production Sol Harrison and [chief] Jack Adler was talking to some of us … who has worked for DC during the summers university …. [T] he way we heard the story from the Sun, is that Goodman was playing with one of the leaders of Independent News, DC Comics (DC-owned property Independent News). … As a distributor of DC Comics this man certainly knew all sales figures and was in the best position to tell this morsel to Goodman. … Of course, Goodman would be playing golf with the boy and being in his grace. … Sun worked closely with the news of an independent high-level management "Over the decades and have got this story straight from the horse's mouth.
Notes
^ Reynolds, Richard. Super Heroes: a Modern Mythology (1994) University Press of Mississippi, p.8-9. ISBN 0878056947
Abc ^ Alter Ego vol. 3, No. 54 (November 2005), p. 79
ABCDE ^ Mooney, Joe (April 19, 1987). "It No Joke: Comic Books May Help Kids learning to read. "Seattle Post-Intelligencer. Http: / / seattlepi.nwsource.com/archives/1987/8701100104.asp. Retrieved 23/09/2008.
ABCDEFGHI ^ Strausbaugh, John (December 14, 2003). "ART, 60's Comics: Superior Sad, Sidi, and". The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9A0CEED81E3DF937A25751C1A9659C8B63. Retrieved on 28/06/2008.
^ On the street, Robert M. Official Overstreet Comic Book Price Guide 38th edition of New York: 2008 (Glossary Pages1026-1031) Page 1026
^ "In graphic terms …". The San Diego Union Tribune. July 17, 2006. Http: / / www.signonsandiego.com/news/features/20060717-9999-mz1c17terms.html. Retrieved 23/09/2008.
CBR ^ Team News (July 2, 2007). "Flashback DC: The Flash. Resources comics. Http://www.comicbookresources.com/?page=article&id=10649. Retrieved on 27/06/2008.
^ Zicari, Anthony (August 3, 2007). "Breaking the border – Rants and Ramblings." Comics Bulletin. Http: / / www.silverbulletcomics.com/news/story.php?a=5706. Retrieved on 27/06/2008.
ABCDEFGHI ^ Jacobs, pp. 3-4Jacobs 1985
Abc ^ Nash, Eric (February 12, 2004). "Julius Schwartz, 88, editor of leader has revived the superhero genre of comics. "New York Times. Http://query.nytimes.com/gst/fullpage.html?res=9E0DE2DC133AF931A25751C0A9629C8B63. This Retrieved on 23/09/2008.
Ab ^ Pethokoukis, James (February 26, 2004). Events in Flash. "U.S. News and World Report. Http: / / www.usnews.com/usnews/tech/nextnews/archive/next040226.htm. Retrieved on 27/06/2008.
Abc ^ Janulewicz, Tom (February 1, 2000). "Gil Kane, comic artist of the space age, dies." Space.com. http://www.space.com/sciencefiction/gil_kane_000201.html. Retrieved on 27/06/2008.
^ AB singer, Matt (June 27, 2006). Returns Superfan. "Village Voice. Http://www.villagevoice.com/2006-06-27/books/superfan-returns/. Retrieved on 23/09/2008.
^ Shaw, Scott (September 22, 2003). Oddball Comics. Resources comics. Retrieved on 20/10/2003. http://web.archive.org/web/20031020180208/http://www.comicbookresources.com/columns/oddball/index.cgi?date=2003-09-22. Retrieved on 09/04/2008.
Abcd ^ Shutt, Craig. Baby Boomer Comics: The Wild, Wacky, a special comic book of 1960! (Krause Publications, Iola, Wisconsin, 2003), p. 21. ISBN 0-87349-688-X
^ Grant, Steven (February 18, 2004). "The permanent damage." Resources comics. http://www.comicbookresources.com/?page=article&id=14633. Retrieved on 20/02/2009.
^ San Luis, Herve (October 9, 2005). "It is the spearhead of a new era DC Comics in the Comics Super Hero?". Bin cartoon. http://www.comicbookbin.com/comicbookrevival001.html. Retrieved on 15/07/2008.
^ Reif, Rita (October 27, 1991). "Antiques, Collectors Read baselines Vintage Comic Books. "New York Times. Http: / / query.nytimes.com / GST / fullpage.html? Res = 9D0CEEDD1E3EF934A15753C1A967958260. This document 03/02/2009.
^ Abc comics Stan Lee, Marvel Origins (Simon and Schuster Fireside Books / 1974), p. 16
^ Mark Norman. "New Super-Hero Kinky man in his place." Hearst Eyes Corporation Magazine, vol. 2, # 2 (February 1969). Reprinted in Alter Ego # 74 (December 2007), pp. 16-25
Ab ^ Keith O'Neil (September 27, 2007). "The history of comics." Keene Equinox. Http: / / media.www.keeneequinox.com/media/storage/paper537/news/2007/09/27/AE/The-History.Of.Comics-2993374. shtml. Retrieved on 2009-01-29.
Abc ^ Sanderson, Peter (October 10, 2003). "Comics in Context # 14: continuity or discontinuity." IGN. Http: / / comics.ign.com/articles/595/595576p1.html. Retrieved on 20/02/2009.
Abc ^ O'Shea, Tim (February 2, 2004). "Fun with Mr. Silver Age: Craig Shutt. Comics Bulletin. Http: / / www.comicsbulletin.com/features/107577856868634.htm. Retrieved on 30/06/2008.
ABCDE ^ Jackson, Kathy Merlock, Mark D. Arnold (2007). "Baby boomers and Harvey Comics After the Code: a small neighborhood girls and boys http://www.english.ufl.edu/imagetext/archives/v3_3/jackson/ ". ImageText (University of Florida) ..
Abcd ^ Weiland, Jonah (July 15, 2003). "The Mighty Crusaders: Origin of the ships, a super-computer" in November. Resources comics. https: / / www.comicbookresources.com/?page=article&id=2390. Retrieved on 02/02/2009.
^ For bibliographic information More specifically, see title list by Robert Overstreet, infra.
^ For more information bibliographic information in these publications, see the list by title Robert Overstreet, infra.
^ Ault, Donald (2004). "Prelude: Barks and Noomin Crumb: Re-Considering the aesthetics of comics underground. ImageText (University of Florida). Http: / / www.english.ufl.edu/imagetext/archives/v1_2/intro.shtml.
Ab ^ Heer, Kune (September 28, 2003). "Mickey Libre! ". The Boston Globe. Http://www.boston.com/news/globe/ideas/articles/2003/09/28/free_mickey/. Retrieved on 02/02/2009.
^ Keys, Lisa (11 April, 2003). "Drawing http://www.forward.com/articles/8598/ peace in the Middle East." .. This document Next of 22/12/2008.
^ Wood, Beth; McCormick Jerry (July 17, 2006). "In graphic terms …". The San Diego Union Tribune. Http: / / www.signonsandiego.com/news/features/20060717-9999-mz1c17terms.html. Retrieved on 22/12/2008.
^ Radfored, Bill (April 26, 2000). "What do return to the silver age of comics. Gazette. Http://www.accessmylibrary.com/coms2/summary_0286-7282623_ITM. Retrieved on 27/06/2008.
^ Jacobs, p. 154Jacobs 1985
Abc ^ Blumberg, T. Arnold (Fall 2003). "'The Night Gwen Stacy Died" so of innocence and the birth of the Bronze Age. "Reconstruction: Studies in contemporary culture. ISSN 1547-4348. Http://reconstruction.eserver.org/034/blumberg.htm. Retrieved on 20/02/2009.
Abcd ^ Scott (September 16, 2008). Scott's Classic Comics Corner: A new ending to the Silver Age Pt 1. Comics Resources. Http: / / Goodcomics.comicbookresources.com/2008/09/16/scotts-classic-comics-corner-a-new-end-to-the-silver-age-PT-1 /. Retrieved on 23/09/2008.
^ Scott (September 18 2008). "Classic Comics Corner Scott: a new ending to the Silver Age Pt 3. Resources comics. Http://goodcomics.comicbookresources.com/2008/09/18/scotts-classic-comics-corner-a-new-end -to-the-silver-age-pt-3 /. Retrieved on 23/09/2008.
Abc ^ Sanderson, Peter (2004). "Comics in Context # 33: A boat Monsters and Marvels. IGN. Http://comics.ign.com/articles/595/595589p6.html. Retrieved 15/07/2008.
^ See, eg, Robbins, Trina. Grrrlz Girls, Chronicle Books, San Francisco, 1999, pp. 45, 52-54, 67, 69-70, 76-7 and all
^ Callahan, Timothy (06/08/2008). "In defense of the great comedian." Comic Book Resources. Http: / / www.comicbookresources.com/?page=article&id=17623. Retrieved on 05/09/2008.
^ Dick O'Donnell, "It's Magic", the comic, Arlington House, 1973, revised edition Krause Publications, 1998
^ By Jerry Siegel, Joe Shuster, Jack Kirby fans of science fiction, see Masters Benton, Mike, imagination, Taylor Publishing, 1994, pp. 17-18, 28; Otto Binder in the SF fan and writer, see Steranko, Jim Steranko History of Comics Supergraphics 2, 1972.
^ Jules Feiffer, the great heroes of the comic Dial Press, 1965, pp 22-23.
^ Peter Couperie Maurice Horn et al. A history of comics, translated from French by Eileen Hennessy (Crown Publishers: New York, 1968) and George Perry and Aldridge, Alan, "The Book of Comic Penguin, Penguin Books (1967). See especially before the introduction and chapters 10-12 Couperie et al, and chapter 6 Perry and Aldridge.
^ Ronin Ro, Tales to astonish (Publisher Bloomsbury, 2004), pp. 110-111.
^ Perry and Aldridge, above, p. 224
^ Robbins, above, p. 69.
^ "An excellent record of the funds of the super-hero" age. "Canberra Times. January 17, 2004. Http://www.accessmylibrary.com/coms2/summary_0286-20016738_ITM. Retrieved 28/06/2008.
^ Ab Baker, RC (November 18, 2003). "American Gods." Village Voice. http://www.villagevoice.com/news/0347, Baker, 48773.1. html. Retrieved 28/06/2008.
Ab ^ Grant, Steven (April 5, 2000). "Master of the obvious 05/04/2000. Resources comics. Http://www.comicbookresources.com/?page=article&id=13276. Retrieved on 23/09/2008.
AB ^ Jacobs, p. 144Jacobs 1985
^ "Heritage Auction Records Weekly Silver Age. DiamondGalleries.com. August 20, 2008. Http://scoop.diamondgalleries.com/public/default.asp?t=1&m=1&c=34&s=262&ai=73554&arch=y&ssd = 8/20/2008 12:01:00. Retrieved on 14/03/2009.
^ "Amazing Fantasy # 15 CGC 8.5 in ComicLink February / March Highlights of the auction. DiamondGalleries.com. January 22, 2009. Http://scoop.diamondgalleries.com/public/default.asp?t=1&m=1&c=34&s = 262 & i = 79 136 & arch = y & ssd = 1/22/2009 12:01:00. Retrieved on 14/03/2009.
^ Overstreet, Robert (2008). The Official Guide Overstreet Comic Book Price No. 38. New York: Random House. pp. 154. ISBN 0375722394.
^ Sinclair, Tom (June 20, 2003). "Another miracle!". Entertainment Weekly. http://www.ew.com/ew/article/0, 458355_2, 00.html. Retrieved on 01/02/2009.
^ Michael Uslan letter published in Alter Ego # 43 (December 2004), pp. 43-44
References
^ Jacobs, Will, Gerard Jones (1985). Cartoon Hero: In the Silver Age to the present. New York, New York: Crown Publishing Unit. ISBN 0517554402.
References
Silver Age – Television Tropes and Idioms
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Sullivan, Missy. Adviser Soapbox "superhero comics hit six figures," Forbes.com, April 22, 2005
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