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FESTIVAL OF DANCE PRESENTS 2009 Ananya Seher

New Delhi: Seher, one of the leading organizations in the context of implementing and visual arts, this Ananya Dance Festival 2009, its annual report on the day of the five classical dance Celebrate Purana Qila the beauty of Indian classical dance forms and focuses on group choreography in particular. The festival runs from October 3, 2009 to October 7 2009 19:00 to 20:15. Every day. The event is an annual function of Govt. Organized Territory of Delhi and Seher in association with Sahitya Kala Parishad. The entrance to the festival is free.

Sanjeev Bhargava of Seher founder and director of Ananya Dance Festival Festival, said: "In a world that is fast becoming the dance forms of the West and an era of reality TV the TRP is increasingly Seher currency has always been to preserve the heritage and culture Indians. Ananya Dance Festival, now in its eighth year, is an attempt to showcase this classical Indian dance in its pure form, full of clothing for the young generation and fans the first of Indian culture. With Ananya, we have to democratize culture by first taking classical dance in public spaces like parks and monuments, and, another, giving a mass appeal. The festival will feature only group performance choreographed to match the size of the enormous room. "

While one of the greatest achievements of Ananya were discovering emerging artists and develop their talent undeniable, has also maintained high standards set with older people to perform this dance in the annual festival. With the public still extended to the corridors to the place and even on the grass away in Purana Qila, Ananya Dance Festival is a special event expected in New Delhi's cultural calendar

This year, October 03, the festival opens with Good policy Odissi by Veteran M adhavi Mudgal which created a choreography Force after many years for the festival. Madhavi Mudgal has captivated audiences in India and abroad with their sensitive positions and strong rhythmic movements that create the appeal of moving sculpture. Your abhinaya, loud music knowledge and subtle aesthetic sense add to the distinctive character of its concerts itself. Madhavi said "We have worked at three different element – One piece will be in exploring the diversity of percussion Orissa highlighted through dance abstract Kumarsambhavam second part Kalidas which will highlight the natya or a dramatic element and the third part will be an invocation of the sacred river Ganges.

Another dancer whose dance is characterized by extreme grace, radiant movements and speech with a geometric precision and technical finesse is Gopika Varma who with his group to perform Mohiniyattam 4 October. Gopika Varma says: "We chose the topic – sringara for our beginning with a performance point of invocation – Choltekku in Kamadeva, the creator and curator of sringara, followed by Maharaja Swathi composition Nayika Thirunal where your friend says that the experience of first love. The scene moves the love triangle between Lord Shiva and Parvathi Goddess Parvathi where Shiva Ganga in their business affairs in love with Ganga. Finish with Jeeva The choreography, a dance that shows the symbolic journey of the soul – the way human interest that transcends the quest for knowledge and achievement and ultimately leads to achieving the Paramatma or greater soul. "

On October 5, s-Minister Morris Nayak duo (From the Jaipur gharana and trained with Rajendra Gangani) and Moumala Nayak (Lucknow gharana, trained under Birju Maharaj) is Narten, a musical journey that shows the variety of music used in the course of Kathak ancient, medieval and modern times. In an attempt to link the Purana Qila monument to the sensuality of Kathak, the two created a show especially sisiters synchronized. Monis and Moumala Nayak said: "Our performance Narten was divided into three stages – the Temple period, the period of the Court and the period of each stage passage describes how Kathak evolved as a form of dance expression and overall. In the period that began in the courtyard of Temple at the time of the royal courts of Muslim and Hindu kings of India has begun and condescending to the current period, which was high the rank of the stage other forms of traditional dance. The highlight of the choreography will be with (a Jugalbandi recital), percussion duo and instruments and concludes with the Bandish that represents a beautiful synthesis of all that is best in two different cultures, from two periods of Hindu and Muslim domination political and hence social ethics and Indo Gangetic belt. "The performance is marked by Monis Nayak the perfect mix of rhythmic patterns, footwork and variety of touring with his profound expression of performance while also Nayak, Moumala can be described as an excellent blend of sensual and elegant movements feet with complete control over laya.

October 6 will see a cutting-edge contemporary Horned fusion group I and eight percussionists Sholom Pung Manipur. Horned I said: "Our Performance, Rhythm Divine, is a very sophisticated classical dance is characterized by the modulation of the sound of a soft whisper to a thundering climax. "Player birth, abandoned and sounds too banal, Rhythm Divine strangely moving ritual on stage captures the romance of a world that was before Manipuri swallowed forever by anarchy and chaos. What follows is a visual poetry – oriental music and dance of the drums, is recovering slowly with perfect timing tempo beating the drums and I Horned Emotions that complements with the fingers, eyebrows and body.

The grand finale of October 7 will see Rema Shrikant Bharatanatyam dancer making his debut in New Delhi where he tries to show how to dance as the most effective access to the world of myth and writing Hindi. The performance begins with a recital of Ganpati Vandana Ottukkadu Subaaarama of Venkata Iyer, followed by Shrusti Tandavam, the dance of creation and representation of Shakti, the primary protector of this great event. The dance ends with mazhai Subramaniaya Bharati, or rain followed a lively Santillana.

Pay particular attention: a special seminar entitled PRATIBIMB (A reflection on Ananya Dance Festival), an overview of how choreographers who have presented their work in Ananya maintain the essential spirit of the form classical, while being innovative and building will take place on 6 and 7 October at the Alliance Francaise in New Delhi, 72 Lodi Estate, New Delhi, 30 to 13 hours for ten hours and 30 The group of eminent speakers include Madhavi Mudgal, Monis and Moumala Nayak, Gopika Varma, I Horned, Rema Shrikant and moderator, Sudha Gopalakrishnan. The seminar aims at creating a dialogue between the choreographers and the audience (young dancers, researchers, students and dance lovers) where the discussion will focus on "Classics" in the world of contemporary dance with subjects like how to relate to the grammar and vocabulary choreographer of ballet forms and the consolidation of a wider audience in a world of countless movies, satellite TV, jazz, salsa, Bollywood-What does the ballet is more attractive than these other options, what are the limits of freedom for an artist trying to be attractive and modern through experimentation and innovation in its presentation.

AGENDA

(Choreography group heading)

October 3, 2009: 7:00 Saturday 8:15 p.m.

Odissi: Madhavi Mudgal and group (Delhi)

Sunday, October 4, 2009: 7:00 pm 00-20 hours 15

Mohiniyattam: Gopika Varma and group (Chennai)

October 5, 2009: AM 7:00 to 8:15 p.m., Monday

Kathak: Monis and Nayak Moumala and group (Delhi)

October 6, 2009: 7:00 to 8:15 p.m. Tuesday

Contemporary: Horned I (Mumbai) and drummers of Manipur Cholame Pong

Wednesday, October 7, 2009: 19:00 00-20 hours and a quarter

Bharatanatyam: Rema Shrikant and group (Baroda)

Special Highlight: October 06 and October 7, 2009:

Two-day interactive seminar – PRATIBIMB (A reflection on Ananya Dance Festival) with artists of Ananya Dance Festival '09 Will be held the Alliance Francaise in New Delhi, 72 Lodi Estate, New Delhi, 30-13 hours 10:00

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