The 7 Best Technologies Of The Colour Television

Indian Society of Cinematographers Ics founding members speak of Rajeev Jain: Kenya terminology in the platform

India Cinematographers Society Rajeev Jain ICS founder member speaks on conditions on the shelf Kenya

 

Rajiv Jain is an Indian filmmaker Kenya. Rajiv grew up in the city of Lucknow, Uttar Pradesh, India, where he attended the Interim Government College. He graduated Bhartendu Natya Academy of Dramatic Arts, Lucknow, India, 1985. In January 2009 he became a founder member of Indian Society of Cinematographers CSI.

ACTION! – The verbal cue that indicates the camera wheel.

AD – Assistant Director.

ADR – Additional Dialogue Replacement (or breaker). Sometimes called

"Looping."

DlRECTOR ART – A person who designs and sets, usually in a

trade.

AUDlTlON – A test for a film or television role, usually face a

casting director, for which reading is necessary.

Avall – A courtesy situation of an agent to a producer indicates

the interpreter is available to work a particular job. Prevailing legal or not

contractual status.

SACKGROUND – Extras.

Back-UP – An artist committed to work only if the primary designated

not functioning satisfactorily.

serials Beauty Shot – On television, the shot in which loans

rolled.

BEST BOY – In the movies, assistant electrician.

BlLLlNG – The order of names in the opening credits of a film or television

show.

B10 – A resume in narrative form, usually for a printed program or press

release.

BLOCKlNG – Tha real physical movements of the actors in a scene.

BOOKlNG – A firm commitment to an artist to do a specific job.

BOOM – A micro before, usually in an extended post.

BREAKAWAY – A proposal or an ensemble piece that looks solid, but easily broken.

BREAKDOWN – A list and description of the functions available for détaiitée

cast in a production.

Purchase – An offer full payment in advance rather than waste when

contracts allow.

CASTlNG DlRECTOR – representative of the producers

the choice of artists for consideration by the producer.

Cattle Call – A hearing where anyone can come without hearing

appointment. In general, there are many people out there. Also known as an outspoken "

appeal. "

CHANGES – Clothing used during execution.

CLOSE UP (CU) – Camera term for tight shot of shoulders and face. Close-ups

can be anything.

COLA – subsistence allowance costs.

COLD READlNG – impromptu reading of a scene, usually in the audience.

COMMlSSlON – Percentage income of a performer or paid to agents

managers of services.

COMPOSlTE – A series images contrasting.

CONFLlCT – Status of being paid for services in a commercial for a

poster, which prevent non-compliance with service contracts

of a competitor.

COPM – Conference of Directors of personnel.

COPY – The script for a commercial or voiceover.

CRANE SHOT – A camera shot raised over or above the set or action.

Track – Usually the end credits in one shot or television IFPMA that "crawl" the

screen.

CREDlTS – Experience of performance indicated in a resume, too, usernames

in a movie or program a /.

Crossfade – in the camera, the transition made to maintain an image

as another is introduced. On the radio, to change the sound source

regularly dropped one source to another.

USC – Close.

CUE hand signal – by the commissioner.

Image – A short scene between two shots the same person, showing

One other thing to this person.

Day Player – An artist committed on a daily basis, rather than as a

contract fixed term.

DAYTlME DRAMA – telenovela.

Dead Air – Silence in a broadcast.

DISTRIBUTOR COMMERCIAL – A national trade occurred and paid by a national advertiser, and airtime given to local book dealers,

usually the distributor of the label has been added.

DEMO – A tape of the hearing.

REMINDER – All follow-up interview or audition.

DlALECT – A clearly regional or culture.

DIALOGUE – The script words exchanged by performers.

DlRECTOR – The coordinator of all artistic and technical aspects of all

production.

Dolly – The camera moves back and forth.

Donut – A recording made to change the information in the body of a

commercial rather than a label.

DOUBLE – A performer artist who actually performs the other

performer.

Demote – Reduction performer on the role of the main chamber

additional.

DP – Director of photography or photography.

DRESS THE SET – Add these items to all the curtains, furniture, accessories,

etc.

DRIVE-ON PASS – In Kenya, a pass to drive through the park and a study

more.

DROP-PICKUP – a contractual situation where a shell is fired and

rehired in the same production.

Dupe – A duplicate of a film or tape, so a dub. "

8×10 – Commonly used photo size glossy paper.

18-To-Go-Young – Legally 18 but can be expressed so convincingly

a younger age.

ELECTRlClAN – team leader responsible for the lighting.

Emancipated MlNOR – A child who received the status of a legal framework

for adults a judge.

Walvis EQUlTV – In Kenya, 99-seat (or less) that are the theaters

otherwise professional, over which the equity has waived the provisions Contractual

under certain conditions.

EXCLUSlVITY – obtained the stage as a major player in a

trade. During the term of contract for the payment, the advertiser

exclusive rights to the artist's work, the image and likeness in terms

competitive products.

PRODUCER EXECUTlVE – Responsible for production financing.

EXT – Exterior Exterior or a small glass, a scene or another outside shot off

region.

EXTRA – Background talent, used only in non-core functions.

FLCK – Social Security taxes (Federal Insurance Corporation of Kenya).

Pre-emptive – A courtesy situation of producers by agents

Please performers, giving the producer the right "not to use the

the artist before the artist accepts a mission contradictory.

FIXED CYCLE – for advertising, a period up to one week

You pay a transaction fee to maintain the right to use the artist

services, image and likeness in advertising produced previously.

FLlPPER – Easily removed dentures for children, used to make

only.

FORCED CALL – A call to work less than 12 hours after departure

previous day. See update.

FREELANClNG – Working through more than one No official franchisees

signing on with a single agent. Also, the work of multiple

employers as an interpreter, which is distinct from employment Standing in

radiolTV station or network.

FX – or special effects.

BIG PAPA – In the movie, a crew member making the lighting equipment.

BRIGHT – A brilliant photographic process.

GBFER – A career broker who "is" this or that.

GRlP – A crew member who moves all parts or accessories.

BlLLlNG WARRANTY – credit position specifically negotiated by the agent.

MAJOR MODEL – An artist whose hands are used to double the others.

Head Shot – A new image, usually 8 "x10" showing head and shoulders.

HlATUS – The time that a television series of production.

HOLDlNG FEE – fixed payment for a poster to keep the right to use a

interpreter services picture or exclusively.

HONEY WAGON – A towed vehicle containing one or more boxes.

Honewagon also often used to refer to the toilet.

INDUSTRIAL films – No outreach, education often or tapes.

lNSERTS – Shots, usually close-ups of hands or business district, close, inserted in

footage previously.

INT – Interior or killed in the interior.

"IN" TIME – The actual call time or start time, so time to return a

rest.

LlFT – Process of taking a sequence to create a business or

part of another business. Sometimes called a lift "mechanical."

LlQUlDATED DAMAGE – The financial sanctions imposed on an employer when the contract provisions are violated (paid to the Union).

LONG SHOT (LS) – A camera shot that captures the artist's body.

LOOPlNG – A technical study on the voice to match the image.

MEAL PENALTY – A fee paid by the producer for not providing food

or meal breaks as specified in the contract.

Monologue – A solo exhibition of an actor.

MOS (Mit in his / Triggering movement only) – The shot without dialogue or

sound.

MOW – Movie of the Week.

COMMERCIAL NATIONAL – A product for commercial use

countries.

PREMlUM NIGHT – Extra 10% for work performed after 20 hours

NOMEX brand name – fire-resistant clothing.

Outside the field (OC or OS) – Dialogue delivered without the actor

screen.

OPEN CALL – An interview situation open to everyone.

Termination clause – Section A contract allowing the interpreter to finish

agreement in certain circumstances.

Out''- real time, then you've changed

closet and released.

OVERDUBBlNG – In the song or the voice work of study, the process of establishing a new

BO in a database.

Overtime (EO) – The work extends beyond the working day contract.

PA – Production Assistant.

PAN – A camera shot that extends from side to side.

P & G – Artists who clearly drawn, look to the United States as it is commonly

Procter & Gamble promoted by commercial or telenovelas.

Payer – An independent talent payment service acting

Reference Employer signatories.

BY DlEM – tax paid by the producer in the set-up outbreaks compensate performer

expenses for meals not provided by the producer

PHOTO DOUBLE – An actor cast to perform in the camera instead.

"Pop" or PLOSlVE – the sudden release into the air lock may be heard on the microphone, usually with the letters p, b, t, d, k, g. "

POV SHOT – angle of view of the camera, the perspective of a

actor (character history).

"BCBG TYPE – A glance of the academic preparation of this relaxed.

PRlME TIME – broadcast network programming 8-11 hours (7-10 hours

Central / areas, mountain).

PRlNClPAL – A performer or advances with special lines businesses

the story line.

Producer – Often called the executive producer, the person responsible for

day to day decision making in a production.

PROFlClENCY TESTING – A selection of the investments made by high

students to achieve equivalence school without

dropout.

PROPS – easily move objects used in the context of the action program.

PSA – Announcement Public Service.

RATlNGS – Surveys to measure the number of spectators

radio listeners.

REGlONAL COMMERCIAL – Product for distribution in certain regions

U.S.

NEWS – In advertising, the cessation of the use of a commercial.

LETTER OF RELEASE – dismissal in writing of a talent agent, as required

Unions.

ReRun – broadcast television, advertising, often called

"Redevelopment."

RESlDUAL – Fees paid to an interpreter for the transmission of a commercial activity

film or TV.

RESUME – List of credits, usually attached to a 8×10 or compound.

REWRlTE – Changes in the script, often using a code-page, full color.

Rhubarb – live crowd noise (also known as "WALLA).

Runaway PRODUCTlON – All production comes from its usual location

although another, usually to save on costs or escape from certain rules.

PART RUNNlNG – In the TV series, recurring roles.

SCALE – Minimum payment for services under Union contracts.

+ 10 SCALE – Minimum payment plus 10% to cover Commission official,

necessary in some countries for agents to earn commissions.

SCREEN TEST – A show filmed a small scene to confirm how a

the actors play to the camera, increasingly applied to the tests recorded ..

SCRlPT – The written form of screenplay, script, or the radio.

SCRlPT SUPERVlSOR – The crew assigned to record all changes or

income shares production.

SEGUE – In film or tape editing, a transition from a blow to the other.

SESSlON FEES – The payment of the initial application and the initial version of a

commerciai.

Location SET – A procedure (often built in one study).

SFX – Sound effects.

SLDE – Pages or scenes from a script, used hearings.

SIGHT AND SOUND – The right of a parent "under the Union contracts be in sight

the artist child at all times.

SlGNATORY – A businessman has agreed to produce under the terms of a

Union contract.

SlLENT ILO – A piece of work without instructions from the camera.

SlNGLE MAP – The tax credit, a film or television where a single artist

name appears.

SIT COM comedy – an episodic television comedy, produced in a

study.

SLATE – A small table and valve device, used to mark and identify

I loved the film for editing; Also, verbal identification process by a

interpreter in a recorded audition (for example, "Slate your name!").

SOAP – soap operas and theater during the day.

SOF – sound on film.

SOT – Sound on tape.

Soundtrack – Audio a film or television.

SPEClAL BUSlNESS – Specially designed the action of an extra player.

SPOT – An advertising message, usually reserved for the accident.

MANAGER – The person who oversees the technical aspects of production instudio.

UNlON STANDARD CONTRACT – The standard format or contract approved

by unions and offered to artists before use.

STANDARDS AND PRACTlCES – Services of television censorship.

STAND-INS – Extra players used to replace the outstanding players in general

to set the lights.

"Sticks" – Slate or planks.

Storyboard – A photo of sequential representation dialogue and action

in a commercial enterprise.

Studlar – A building housing the cinema or television.

STUDY TEACH ER – Establish a teacher or tutor, hired to provide education

the work of young artists also responsible for implementing child labor

and provisions in contracts under the Union.

STUNT COORDlNATOR – The person responsible for the design and supervision

performance tricks and dangerous activities.

Lining – A trained artist who actually performs

cascades up a lead actor.

SUBMlSSlON – Suggest an agent to a casting director for a role in any production.

SWEETENlNG – In singing / recording the process of adding other

voice at work already registered.

SYNDlCATION – the sale of television programs to individual stations rather

and networks.

Taft-Hartley – A federal law allows 30 days after the first

employment before being forced to join a union.

TAG – An Introduction or end of a television commercial or

identify a provider, address, phone number, etc. Many times, a little on TV

show what the last piece that the public sees.

TAKE – The indication of the advice of some "taken" or printed.

Take 5 – Announcement regular five-minute break.

T & R – The talent and waste talent payment company, or the treasurer.

TELE Attendant – The brand name of a device that allows a broadcaster

read a script while looking into the lens. It is usually located close

objective.

TEST MARKET – dissemination of a notice in an area to determine the answer.

TlGHT SHOT – Framing a shot with little or no space around the central

Figure (s) or feature (s), usually an end.

THEATRlCAL – TV or film work, unlike

advertising.

tape 3 / 4 "TAPE – Industrial video quality requires a special tape.

TIME & 1 2 / – overtime pay of 1 1 / 2 times the hourly rate.

BUSINESS – business stationery, periodicals and entertainment information.

Tralles – A series of excerpts or clips used to promote a film or television

show.

TRUCKlNG – a movement of the camera, involving changes in the other side.

RECOVERY – The number of hours between dismissal and call it a day

time the next day.

Two items – a framework of two persons of the camera.

Lining – An artist committed to paper if the star player is

unable to perform.

UPDATE – Accused by a producer hired as a player included

completed a great work, resulting in the main payment.

Use of bikes – All 13-week period during which the business is actually

distributed, used to determine payment schedules for waste and sometimes divergent

cycles of the portfolio.

Volcanic OVER (VO) – also OS, off-camera dialogue.

WAlVERS – The authorization approved by the Board of deviation from the terms of a

contract.

WALK-BN – A very brief role.

WARDROBE – The clothing is an artist with the camera.

FlTTlNG WARDROBE – One session paid prior to production to prepare a

suits the artist.

WlLD MANCHA – A commercial contracts the air in a season-Bystat

base, rather than by the network.

WlLD TRACK – Soundtrack no direct relationship with the image.

WORK PERMlT – A legal document that allows a child's work, published

by various states or local agencies.

WRAP – the finished production.

ZED CARD – A compound, in general, 5 "x 7", used for printing or modeling.

ZOOM – A camera technique with a lens for adjusting the depth of a

once accomplished without moving the camera.

Tags: Academia, Arts Bhartendu, Bollywood film director, director of photography, dramatic, Dubai, India, India, Jain, Kenya, Kenya, Natya, Rajeev, Rajiv

Author: Born in Los Angeles, David Henry Hwang is the son of Chinese immigrants to American parents, his father worked as a banker and his mother was a piano teacher. After studying at Stanford University, where he obtained his Bachelor Arts in English in 1979, became interested in theater after attending games at the American Conservatory San Francisco. Its marginal interest in a career in law quickly led to his involvement in the world to make plays. Because of its high level year in which he wrote and produced his first play, FOB (an acronym for "cost Boat "), which marked the beginning of a meteoric rise as a playwright. After a brief by a writing teacher in high school in Menlo Park, Hwang attended Yale University School of Drama 1980-1981. Although not stay to graduate, studied the history of the theater before heading to New York, where he thought that the professional theater to provide a rich educational workshops as a student in Yale.

About the Author

Born in Los Angeles, David Henry Hwang is the son of immigrant Chinese American parents; his father worked as a banker, and his mother was a professor of piano. Educated at Stanford University, from which he earned his B.A. in English in 1979, he became interested in theatre after attending plays at the American Conservatory in San Francisco. His marginal interest in a law career quickly gave way to his involvement in the engaging world of live theatre. By his senior year, he had written and produced his first play, FOB (an acronym for “fresh off the boat”), which marked the beginning of a meteoric rise as a playwright. After a brief stint as a writing teacher at a Menlo Park high school, Hwang attended the Yale University School of Drama from 1980 to 1981. Although he didn’t stay to complete a degree, he studied theatre history before leaving for New York City, where he thought the professional theatre would provide a richer education than the student workshops at Yale.

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